Description
This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorák’s op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorák’s autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation.
