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Concerto for Flute and Orchestra in G major (1801)

$65


Subtitle:

In an arrangement by A. E. Müller after the Clarinet Concerto K. 622

Composer:

Mozart, Wolfgang Amadeus

Arranger:


Editor:

Hogwood, Christopher

Instrumentation:

Woodwinds Ensemble Strings

Series:


Publisher:

Bärenreiter

Catalog No.:

BA5335

Format:

Score, Urtext edition

Pages:


Language:

EN

Description

Toward the end of 1791 Mozart wrote his famous concerto for basset clarinet and orchestra, known today as the Clarinet Concerto, K.622. It appeared in print for the first time ten years later, when it was published simultaneously by Breitkopf Härtel , André and Sieber .

In the same year Breitkopf also published an arrangement for flute in G major by A. E. Müller , adding to the rich musical history of the early 19th century. This arrangement is now available for the first time in a modern critical edition. The editor Christopher Hogwood , an internationally renowned musicologist and expert in early music, has based his edition on the first of 1801.

The piano reduction takes into account the performance practice of the time.

« BACK TO STORE

Concerto for Flute and Orchestra in G major (1801)

$36


Subtitle:


Composer:

Mozart, Wolfgang Amadeus

Arranger:

Hogwood, Christopher

Editor:

Hogwood, Christopher

Instrumentation:

Woodwinds Ensemble Keyboard Strings

Series:


Publisher:

Bärenreiter

Catalog No.:

BA5335-90

Format:

Piano reduction, Part, Urtext edition

Pages:


Language:

EN

Description

Toward the end of 1791 Mozart wrote his famous concerto for basset clarinet and orchestra, known today as the Clarinet Concerto, K.622. It appeared in print for the first time ten years later, when it was published simultaneously by Breitkopf Härtel, André and Sieber.

In the same year Breitkopf also published an arrangement for flute in G major by A. E. Müller, adding to the rich musical history of the early 19th century. This arrangement is now available for the first time in a modern critical edition. The editor Christopher Hogwood, an internationally renowned musicologist and expert in early music, has based his edition on the first of 1801.

The piano reduction takes into account the performance practice of the time.