Description

Antonio Caldara (1670–1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions, Caldara also wrote smaller vocal works, of which his “Stabat mater” is the best known.

This publication is based on Eusebius Mandyczewski’s edition of the “Stabat mater”, which has, until now, been the definitive edition. The notation and key signatures have been adapted to today’s standards. The effective instrumentation with two trombones and strings supports the solemn character of the work and enables smaller-scale performances.

This edition corrects and replaces the older publication by the “Süddeutscher Musikverlag” (SM 2600). Any discrepancies between the score and vocal score have been corrected, and the work is now presented in a modern, clear layout.

The orchestral parts are available in computer print for the first time.

Description

Antonio Caldara (1670–1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions, Caldara also wrote smaller vocal works, of which his “Stabat mater” is the best known.

This publication is based on Eusebius Mandyczewski’s edition of the “Stabat mater”, which has, until now, been the definitive edition. The notation and key signatures have been adapted to today’s standards. The effective instrumentation with two trombones and strings supports the solemn character of the work and enables smaller-scale performances.

This edition corrects and replaces the older publication by the “Süddeutscher Musikverlag” (SM 2600). Any discrepancies between the score and vocal score have been corrected, and the work is now presented in a modern, clear layout.

The orchestral parts are available in computer print for the first time.

Description

Pergolesi’s famous “Stabat mater”, a work for two soloists, strings and continuo quickly became a success throughout Europe.

However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists.

In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices.

The added parts are derived from the existing musical material. These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts.

The arranger

Malcolm Bruno is the editor of the Urtext edition of the “Stabat mater” (BA 7679) and a renowned expert in 18th century Italian music.

Description

Pergolesi’s famous “Stabat mater”, a work for two soloists, strings and continuo quickly became a success throughout Europe.

However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists.

In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices.

The added parts are derived from the existing musical material. These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts.

The arranger

Malcolm Bruno is the editor of the Urtext edition of the “Stabat mater” (BA 7679) and a renowned expert in 18th century Italian music.